It’s also pretty good fun and sweet, so I can recommend it, not that it likely says anything too controversial about the country’s recent past. A typical fare by all means, the film in many ways is far from the best version of itself yet its arrival is apt & fitting as it exudes a familial warmth & sense of community that many viewers lost in this raging pandemic, and it is bound to move & resonate with some of them if not all.Earlier on this year, I took a punt on a random Chinese film which now has turned out to be the second-highest grossing film of the year (probably because China was one of the most unaffected film markets given everything that happened in 2021). Overall, Hi, Mom makes for a lovely tribute from a daughter to her mother and brims with all the ingredients that's required for it to be a crowdpleaser. Still, its pacing is uneven at times and it sure is overlong. And the central relationship is captured with honesty. All supporting roles are well-drawn & finely acted. Her grip on comedic elements is also spot-on for the most part. Ling is fantastic throughout, both in front & behind the camera and her performance is the glue that holds this story together. It's a safe play but the script is witty throughout and its emotional authenticity shines through, thus making it a pleasant delight for all. Co-written & directed by Jia Ling in her directorial debut who also stars as the lead, the film uses the time travel framework only to transport itself into the past where it works on reforging the relationship between a woman & her mother. Packed with laughs yet capable of tugging the heartstrings, it is a sweet, simple & sentimental family drama that works as advertised. The highest grossing film of 2021 so far is a sincerely crafted & emotionally uplifting story of love, loss, family, regret & wish fulfilment that centres on a mother-daughter bonding and is curated with heart & compassion.
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